Posted July 15, 2013 at 1:00am in Jardin du Luxembourg Paris double exposure Diana F+ benches lounging Sundays photography black and white | 2 notes
Posted June 8, 2013 at 10:58am in laundry laundry mat laundry machine pattern repetition mundane le coup fourré photography purple film Washington | 7 notes
Posted May 16, 2013 at 11:59am in Mikki chimpanzee Sotheby's auction photography colour long exposure polaroid Russia Moscow skyline architecture Vitaly Komar Alexander Melamid Hyperallergic | 1 note
Posted March 12, 2013 at 9:23pm in Death Valley Panamint Dunes photography desert sand dunes sky desolate tumbleweed gradient Tumbler Snapper | 44 notes
- SW: When you were making your early work, you said how important it was to remember what you couldn’t remember. Now you can remember, but the camera has a kind of funny function as a surrogate memory and, in a way, it replaces memory.
- NG: I don’t rely on it in that way so much in the new work. I’m not wedded to memory in the same way. When I got sober I had a lot of amnesia, and it’s only coming back now. I don’t feel this need to remember anything now, anymore. It’s a great freedom in a way. Like I said in my text about Cookie…I’d always believed that if I photographed anything or anyone enough I would never lose them. With the death of seven or eight of my closest friends and dozens and dozens of my acquaintances, I realize that there is so much the photograph doesn’t preserve. It doesn’t replace the person and it doesn’t really stave off mortality like I thought it did. It doesn’t preserve a life.
Posted February 19, 2013 at 7:30pm in nan goldin stephen westfall bomb magazine photography life preservation freedom death memory interview | 2 notes