ONE MORE YEAR

http://cargocollective.com/britbachmann

kels fjord: drinking wine in the rain outside a bookstore

my favourite nyc writer discusses one of my favourite memories-

kelsfjord:

I wrote this post - about visiting the “old cat lady bar” in Paris and discussing Moby-Dick with old French poets who didn’t care - more or less a year ago, while sitting on a bench outside Shakespeare & Co.

I was reminded of it the other night, when rattling off ‘must’s to my cousin, who’s…

Be not inhospitable to strangers,
Lest they be angels in disguise.
— W.B. Yeats- poet, playwright, prophet.

Six months ago I was baking George Whitman cookies. Today he died, two days after his 98th birthday. I dedicate my second spoonful of sugar to you, George; it was an honour being your tumbleweed.

When Freddie took the bookshop to a friend’s flat near the Sorbonne…
Drawing by Brit Bachmann

When Freddie took the bookshop to a friend’s flat near the Sorbonne…

Drawing by Brit Bachmann

This is a drawing by my friend, Driva, a fellow former-tumbleweed at Shakespeare & Company Bookshop in Paris.
http://www.flickr.com/photos/37013321@N02/
sheynkeyt:

Tomas Tranströmer, winner of the Nobel prize for Literature 2011

This is a drawing by my friend, Driva, a fellow former-tumbleweed at Shakespeare & Company Bookshop in Paris.

http://www.flickr.com/photos/37013321@N02/

sheynkeyt:

Tomas Tranströmer, winner of the Nobel prize for Literature 2011

A slice from my tumbleweed bio, located in George Whitman’s living room, Paris.

A slice from my tumbleweed bio, located in George Whitman’s living room, Paris.

“The Paris you loved is dead”

…a friend [René de Chochor] said to me while we were having lunch in a luxurious restaurant in New York.

-the first line of “Paris Revisited,” late memoirs of Anaïs Nin, edited by Karl Orend.

One year ago today, I arrived in Paris with two overweight suitcases and the crumpled address of a Couchsurfing host in Montreuil. The memory of my first few weeks in France blend into a chalky nightmare, full of bureaucratic obstacles, rental scams and unanswered letters to home. The following months weren’t much easier. Apart from a two week-long concert ticket winning streak in October - courtesy of Blogothèque and Les Boutiques Sonores - nothing came easy. It wasn’t until the new year that Paris became the reverie that everyone expects it to be. I stumbled into the growing ‘haute-espresso’ scene pioneered by Frog Fight, an international barista collective based in Paris. I began pouring for Coutume Café and volunteering at Shakespeare & Company Bookshop. Meanwhile, my doodles at l’École Nationale Supérieure des Beaux Arts evolved into a legitimate, focused art practice. I traveled, visiting childhood friends in Berlin and Fort William, attending a wedding in Glasgow, and taking over Barcelona with a group of Finnish friends. In June, I moved into the bookshop, a transition which has become the most influential period of my young life. The shop, its booksellers and writers, my fellow tumbleweeds, and the spitting thieves became my muses. Even after I moved into a flat in Montmartre for my last month in Paris, my life still revolved around Shakespeare & Company. I owe more to the Whitmans than I have words to express. This has been the most dazzlingly challenging year of my life, and I don’t regret a second of it. Thank you to everyone I love, to all the strangers I secretly filmed, and to my followers.

This will be amazing.

This will be amazing.

Michelle at Shakespeare & Company, Paris.
07/2011

Michelle at Shakespeare & Company, Paris.

07/2011

A detail of my drawing, Chris Adrian, Nathan Englander and Aleksandar Hemon discuss God & Fiction at Shakespeare, 29/06/11, Paris.
Pigma micron and gel pen on 90g cotton paper
Drawing by Brit Bachmann

A detail of my drawing, Chris Adrian, Nathan Englander and Aleksandar Hemon discuss God & Fiction at Shakespeare, 29/06/11, Paris.

Pigma micron and gel pen on 90g cotton paper

Drawing by Brit Bachmann